SABBATICAL REPORT, MERRILL WATROUS

SABBATICAL TAKEN FALL OF 2005

 

I am writing a book (WRITING IN COLOR) which is a guide to teaching art and writing (Grades 3-8) across the curriculum via the student-authored picture book. I began this book on sabbatical in the Duke University community in the fall of 2005. I wrote the second draft in the summer of 2005 and am now working on the third revision.

 

I began my research at the Brandywine museum in Chadds Ford, Pennsylvania last fall and then moved on to the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts. The topic of the ninth chapter of WRITING IN COLOR concerns using the museum as a resource in the teaching of writing.

 

When I returned from sabbatical, I became involved with teacher inservice work via a Wyeth Foundation grant through the Jordan Schnitzer museum at the University of Oregon. I spoke there in the spring about using the Modern Contemporary Regional collection as mentor art in teaching art and writing. I will present a similar talk to teachers in October on the statewide inservice day though the focus will be on the Japanese art collection at the JSMA.

 

I am including my table of contents in this report. The book is currently 250 pages in length. Any faculty member wishing to read more of the book is invited to contact me about it personally. I welcome feedback and response.

 

WRITING IN COLOR

 

Teaching Students to Write and Illustrate Picture Books

Across the Curriculum (Grades 3-8)

 

Table of Contents

 

Chapter One  - Planning to Publish

Teacher Resource Books / Teacher-Written Picture Books / Publishing Student Writing/ Beginning with Journals / Writing to Music

 

Chapter Two - The Picture Book Workshop

Setting up the Environment / Managing the Picture Book Workshop / Critique Groups / Common Picture Book Minilesson Topics: Beginnings and Endings, Title Choice, Verb Choice, Purposeful Repetition, Words to Delete, Negative Examples, Figurative Language

 

Chapter Three - Writers and Artists Read

Why We Read / Reading Aloud / Picture Book SSR / Mentor Titles / Reading for Beginnings and Endings / Connecting to Authors / Specific Structures / Art History Connections / Scaffolding

 

Chapter Four  - Writing Memoir

Then and Now / A Larger Truth / Biography and Autobiography / Starting Small / What to Leave out / Patterns and Themes / Predictions

 

Chapter Five - Imaginative Writing, Hardest to Do and Hardest to Teach

A Sense of Place / Conflict / Characterization / Superheroes / Pacing / Writing Fiction for and about Specific Children / Young Readers’Favorite Fiction / Resources

 

Chapter Six - Understanding Science through The Science Picture Book

Topic Choice / Mentor Science Picture Books / Observation Skills / Stories of Younger and Older Science Writers / Concept Learning / Advice from John: Narrowing the Scope of Inquiry, Teaching the Science, Doing the Art / Relationships / Subject Expertise: Science, Writing, Art / Barriers / Planning

 

 

Chapter Seven - Understanding History through The Social Studies Picture Book

Heroes / Close Reading and Viewing / Retelling Stories of Our Own History/ Mentor Titles / Ben and Molly

 

 

 

 

 

 

Chapter Eight - Doing the Art, Discovering Ourselves

Basic Principles / Co –Teachers / Guidelines: Comic Book Style, Marriage of Art and Text, Collaboration, Templates, Tools, Copying / Learning to Observe / Feedback

 

Chapter Nine - Book Design and Reader Response

Book Design / First Readers / Friendly Response: Teacher, Parent, Peer, Community, Taped / About the Author

 

Chapter Ten - Museums and Museum Websites as Resources for Writing and Art

An Active Life / The Museum as Refuge / Mentor Art / N.C. Wyeth / Eric Carle / Your Local Art Museum / Picturing Learning

 

 

Appendix

 

2011 Site Archive